He began his studies at the National School of Art «Cubanacín» and from the third year he was awarded a scholarship to complete his career at the Agripina Vaganova choreographic school in Leningrad, USSR, coming into contact with the different forms and styles of the Russian school . At the end of his studies, he became part of the National Ballet of Camagúey, interpreting various roles in both classical and contemporary choreographies. There he stayed for a year. The following year he joined the National Ballet of Cuba, with which he traveled the five continents interpreting the main roles of the extensive repertoire of the BNC, being worthy of excellent criticism in all places. Some of his professors during their academic training were, in order of learning, among others: Alexander Sergueievich, Puschkin, Josefina Méndez, Ana Petrovna Sajjacva, Victor Mijaiiovlch, Tulublov Semenon, Solomonovich, Caplan …
His professional debut: 1969 Soloist category: 1972 Principal dancer category: 1974 Principal dancer category: 1976 He has been a guest artist at: Ballet de Bellas Artes, Mexico; Alvin Ailey Dance Theater, U.S.A; Arenas de Cimiez Festival, France; International Ballet of Caracas, Venezuela; Ballet of the Municipal Theater of Rio, Brazil. Getting great successes in each country, both from the public and from the critics. Its extensive repertoire includes main roles of the great traditional classics, as well as choreographies of current creation both by Cuban choreographers and other countries, among them we could mention: Mijail Lacopson, Russia; Anton Dolin, U.S.A; Braim Mac-Donald, Canada; Híla Reveros, Chile; Alberto Méndez, Cuba; Lic D’Laire Belgium; Atilio Lavís, France; Elsa Marianne Bone Rossen, Denmark; Alberto Alonso and Alicia Alonso, Cuba.
He has been a partner of Alicia Alonso, playing alongside her roles such as: «El Torero de Carmen», «Dido Abandonada», and of his own creation, «Roberto el Diablo and» Cleopatra «.